Paul delnero dissertation

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Abstract: Sumerian hymns to deities, sung by professional musicians in the framework of ritual, represent a significant portion of the literary record of the early second millennium BCE, corresponding to the Mesopotamian Old Babylonian period ca. Instead, Sumerian cultic hymns are studied as works of literature, more closely aligned with compositions learned in scribal schools than with other liturgical material. A starting thesis of this dissertation is that 1 the significance of the text of Sumerian cultic hymns cannot be appreciated without taking into account their extra-textual, non-verbal elements of performance, and 2 consideration of such texts in light of their performative setting can offer important insights on second-millennium ritual. Your e-mail address will not be published.
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Bibliography of Old Babylonian Model Contracts

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Recent Dissertations | The University of Chicago Divinity School

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Paul delnero dissertation

In this dissertation, the topic of textual variation in Sumerian literary compositions was examined. Many of the literary works that were composed in Sumerian are known primarily from copies that were produced during the Old Babylonian Period ca. The copies of these compositions, which, with few exceptions, have typically survived in an average of ten to fifty, but in some instances, as many as duplicates, rarely, if ever, contain completely identical versions of the same text.
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Bodine, Walter R. Abusch et alii eds. Bethesda: CDL Press. Gibson ed.
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